Reading this article reminded me of my world history teacher in high school. FYI, teaching and learning at school in Korea are so much bound to the required curriculum. In Korea, students at the same grade level learn the same contents through similar textbooks or same textbooks regardless of regions or teachers. In a way, there is very little room for teachers to use various reading materials that motivate students. However, my world history teacher in high school used stories from movies, comic books or fiction in order to engage us in understanding historical events that were unfamiliar with or even far from us. He also encouraged us to read comic books based on the world history and to watch movies based on the historical events that we were learning. In fact, most of the students at my grade level were excited about learning world history while this particular teacher was teaching us. Without the connection he made between particular popular cultural texts and the historical events that we were learning, reading the popular cultural texts might have been only for our enjoyment. In addition, we might not have noticed that the popular cultural texts that we were engaging in were meaningful.
Duncan-Andrade and Morrell indicate that “it is the task of the teacher to persuade students that this knowledge (tacit knowledge derived from the cultural resources that students already possess) contributes to helping them learn what they need to know (p. 290).” It seems to me that my world history teacher was trying to help us know that popular cultural texts could support our understanding of content knowledge of world history. In addition, teacher’s use of popular cultural texts could empower students to become aware that their ability to use texts is not very different from the academic ability curriculum requires them to have. Even in some cases, by using popular cultural texts, teachers may be able to engage students to analyze, criticize, and challege the texts – those skills that are supposedly acquired through academic literacy practices.
I also like the idea of incorporating popular cultural texts that students are familiar in order to engage students in questioning and pondering upon power relations, the dominant ideologies and a variety of social issues that might be related to their lives. I think this could be the core of the curriculum using popular cultural texts. Celebrating students’ engagement with popular culture can motivate students to learn school sanctioned knowledge. However, students may gain critical thinking skills from becoming aware of and critical about social issues around themselves.
I agree that incorporating popular cultural texts is one of the culturally responsive ways of teaching. However, while I was reading the article on one teacher’s experience with using popular cultural texts in her classroom, I started to wonder how teachers would make a choice of popular cultural texts teachers can integrate into their curriculum. The way in which Alexander-Smith chose the type of popular cultural texts sounded so simple, but it might not be that easy before the teacher knows and understands her students’ life. I also wonder how we can address diversity issues in relation to popular cultural texts. My concern is that using one type of popular cultural texts over others might exclude studetns who are not consumers of that particular popular culture. Then, what do teachers need to consider when their students are from culturally diverse backgrounds and might experince different types of popular cultural texts?